I first read Kate Chopin's The Awakening in my first year English forms of fiction class and loved it. I was told by my professor that it’s interesting to read the book at different stages in life, so I’ve been hoping to read it again soon (I just need to find the time!). That said, I figured this would be the perfect book to use for this week’s assignment; it’s surprisingly old enough to be fully available online at Project Gutenberg.
Using TAPoR, I popped the url into the box designed to find concordances and typed in the word love to see what would come up. I found that it came up 40 times, and that it mostly appeared in the second half of the book, less than I had expected, considering the book is only 128 pages. The protagonist (Edna) in the novel has an affair with a younger man, so I typed in affair next. To my surprise, it only came up four times. And in all cases, it referred to a different kind of affair, as in, “dinner was a very grand affair.” Interesting. Having read the book so long ago, maybe they referred to the affair as something else entirely. It’s nice that the generator at TAPoR gives you the context in which the word was written, allowing users to make distinctions like this. Even the word marriage only appears in the book nine times. This was surprising to me since Edna greatly struggles with her marriage to her husband.
All in all, the generator is very cool. It allows you to identify the frequency and patterns of when certain words appear in books. This could be useful for anyone, but I could really see this being useful to someone in an English literature class. It could help people analyze books more thoroughly when knowing when and where certain words appear, thus helping them identify key themes at certain points in the book. I could personally see this tool as being very helpful in researching a paper, whether it be for a history class or an English class. The reason why I say this is because I have a very bad habit of going through my sources, seeing a quote I like, then forgetting where I saw it, and then manically thumbing through every page of the book until I find it. If the book I was looking through was digitized and online at a place like Project Gutenberg, I could easily type in a unique word from the quote I was searching for and easily find the passage! Plus, I could even use it to find other related significant quotes. Yes, this tool could be very useful to us, though perhaps not until more of our recent sources have been digitized.
I figured that it would be a good idea to post the link to my website on here in an actual post, instead of just on my profile. I have to say, making this website was pretty simple compared to have to write my own html or css file. That said, while I was putting together the site a few weeks ago, I found myself actually going into the html version of the website to adjust certain things. Plus, I'm pretty sure that if I didn't know how to "work" html, it would have taken me weeks to figure out how to link to different websites! So here is the link to my official website. Any comments are appreciated!
For this week’s blogging assignment, we’ve been told to peruse the Eaton’s catalogue from 1913-1914 and try to find some books online that were for sale in that year. A very cool assignment, but one that makes it easy for me to distract myself looking at other non-book related things! So here are some of the books I’ve chosen to find and where you can find them online, if you wish to do so.
The first book I decided to hunt down was Alice’s Adventures in Wonderland by Lewis Carroll, one that was surprisingly easy to find. I Googled it, not expecting to find anything, but it was on a website called Literature.org. It’s fairly convenient, and the only problem I can find is that the writing isn’t broken up very well on the webpage. What I mean is that there are no page breaks and no feel of what actual page number you are reading. This is something which would bother me, but I guess if I were to read a book online, I wouldn’t be worried about this type of thing!
The next book I decided to look for was Little Women, by Louisa M. Alcott, a personal favorite of mine when I was young. I decided to check out Google Books for this one and was successful. What I like about Google Books is that the pages online are broken up like the pages in a book would be, something that would make reading a book online easier for someone like me.
This time I tried to pick a book I’d never heard of. I selected The Foreigner by Ralph Connor and tried to look for it on Literature.org. I couldn’t find it on this website, so I headed over to Google Books, and I was surprised to discover that it was there. What I thought was cool about this book was that its table of contents was all hyperlinked so that the reader could easily go from chapter to chapter, unlike with Little Women.
I then tried looking for a book called the Mystic Dream Book, but was unable to find any results. It didn’t have an author, so that might be one reason that it was so difficult to find. Other books by the same name were listed, but they were published in the 1960s and on, so I know it is not the same book. I’ll go back to looking for a book that has an author, so this time I’ll choose Little Lame Prince, by Miss Mulock. Upon searching for this at Literature.org, I couldn’t find it, but then easily found it at Google Books. It was the second listing, and I discovered the author’s full name, which is actually Dinah Maria Mulock Craik. When I opened the link, I thought it was the full text, but at second glance, I realized it was just a preview of the book. I was curious if this was just Google not letting the reader see the entire book due to copyright reasons, so I decided to check out the Gutenburg Project just to see if it was there. It was. All of it. Hmmm.
The next book I’m going to look for is Discarded Daughter by Mrs. Southworth. I looked first at the Gutenburg Project because it was already opened in my browser, but it wasn’t there. I found it on the Internet Archive and was surprised to see that it had been downloaded 274 times. Considering I’d never heard of it, it seems to be somewhat popular. Under the copyright status it says that it’s not in copyright. This online book actually looks like a book; it’s even formatted to flip through the pages as if you were reading a physical book!
The last book I’m going to try to find is one out of the Peter Rabbit series by Beatrix Potter. I owned the entire collection as a child, and now I think I’ll see if I can find The Tale of Benjamin Bunny. Only a “snippet view” is available on Google Books, but the Gutenburg Project offers the entire book (and series). The only problem that I find with this is that there are no pictures, like in the original books, and that it’s literally just text on a website, which is very hard on the eyes. There is also a jumble of various words at the beginning of the webpage, above the actual Benjamin Bunny book, trying to elicit donations and looks like a very large and unattractive disclaimer.
If I’ve noticed one thing from trying to find these books from the early 20th century, it’s that they are shockingly easy to find. I certainly didn’t expect to find a book like Discarded Daughter so easily, and I thought that for sure Little Women would be copyrighted and hard to find a readable copy. I think it’s good to make these classic books available online, this way everyone with access to a computer is able to read them, instead of having to spend money and buy them. Yet, this also makes me worry about the future of books. With inventions like the Amazon Kindle and other readers similar to it, I wonder if the paperback book will ever become obsolete. I believe that the book is safe for at least another few generations, but after that I really don’t know what will happen. I know that I will probably never be inclined to read a book online just because I like the way it feels to hold a book in my hands and turn the pages, getting closer and closer to the end. And nothing beats the smell of a brand new book, something I’d love to see Amazon try to reproduce!
Marie Antoinette was the controversial and tragic French queen who was one of many victims of the French Revolution in the late 18th century. Her life fascinates me, and I feel that she’s often misrepresented in history, or should I say, historical depictions of her aren’t quite as accurate as they should be. Haven’t we all heard the stories of a cruel queen who shouted “Let them eat cake!” when told that French peasants were starving because they had no bread to eat? Here’s the good news: most historians will tell you that there is no evidence that suggests she said this, or anything like it. It’s because of myths like these that Marie Antoinette is a character who has interested me for awhile now. I have read a couple of interesting books about her and the general period, but I would like to learn a little more. So here is my step-by-step guide to navigating online sources regarding Marie Antoinette.
The first site I would visit, based on Wikipedia’s recommendations, is the Story of Marie Antoinette with Primary Sources. This looks promising, and at the very least it should offer some online primary sources to use. Upon entering the site, we see that it provides a nice overview of her life, with many excellent pictures to illustrate many aspects of her life. There are direct quotes, and many are cited to be from the Fraser book that was frequently cited in the Wikipedia article. One problem with this site that I immediately see is that although many quotes from the queen are used to support ideas, the site doesn’t say exactly where they were found. However, in the last page, entitled Used and Recommended Sources, a little more information is given about the sources used, but by no means does it give enough detail.
Next, I would head to Marie Antoinette Online, a site recommended by Wikipedia, and one that admittedly has a sympathetic bend to it. This is an immediate warning that there will be bias, but since bias exists everywhere, it’s worth having a look at. This is a pretty good source. It appears to be a blog written by numerous authors that touches on some common myths about Marie Antoinette, such as her overly extravagant lifestyle, that aren’t entirely true. A Reputation in Shreds touches upon the idea that Sofia Coppola’s Film Marie Antoinette has further damaged the reputation of the queen in the eyes of the public. (Sidenote: Coppola’s film isn’t great by any means, but it does show an amazing visual display of what Versailles would have looked like at the time, often shooting scenes in the actual palace.)
I followed one of the links on this webpage to one of the authors’ webpage whose name is Elena Maria Vidal. I see that she is the author of two historical-fiction books based on Marie Antoinette and that she has completed lots of research on the queen, making her appear to be a reliable source. Furthermore, she offers more blurbs about the queen on her website, and even hosts a YouTube video showing an interview with her discussing Marie Antoinette. She talks about some of the common myths surrounding the queen and shows that she has done some considerable research in the area. In further researching the author, I found that she has some other websites, most notably an interesting blog called Tea at Trianon, which features lots of information about Marie Antoinette’s children, an obviously important aspect of the queen’s life, and other related topics in her life.
One of the links recommended by Wikipedia was on LibraryThing, which shows that Marie Antoinette’s personal library is available online. When looking through the site, I can see that it offers many titles and letters, but unfortunately, they are all in French. Theoretically, this shouldn’t be an issue for those who have a reading understanding of French, but it is a little off-putting when there is probably a place where these resources have been translated for us! So in general, yes this is a great website, but could pose some language barriers.
Heading back to Google, I found another good article at About.com that gives a lot of suggested books to learn more about her life, if that is the direction you wish to take. By narrowing down my search to more specific words, such as “Marie Antoinette education resources”, I was able to find a webpage called Famous People: Marie Antoinette that has links to dozens of great related sites, including maps, speeches, and other different forms of media.
In another search, I found a website that is called The World of Royalty that hosts what looks to be an online book about Marie Antoinette. While the book seems to be okay, the unprofessional layout of the website alarms me a little and makes me question its validity. Aesthetically, it’s tacky, but more importantly, the book that readers can look at has no author anywhere to be found on the page. It also advertises places where people can buy their very own Marie Antoinette fashion wigs and other paraphernalia that makes the website seem questionable and less than scholarly.
One thing that I personally find striking about Marie Antoinette is her fashion and style.A lot of this is could be myth, but it’s interesting nonetheless. I’m going to go back to Google and see what I can find if I add the word “fashion” to a search with her name in it. After looking at many useless titles advertising Marie Antoinette Halloween costumes (the scantily clad versions, of course), I see a great article from Slate magazine called What Marie Antoinette Really Wore, written by Anne Hollander. It’s largely about what she wore and reasons for doing so, pointing out that she was indeed rather fashion-forward for her time.
My recommended final step that I would take in researching Marie Antoinette would be to start looking through the online scholarly journals, like JSTOR. I love JSTOR, mostly because I always seem to find a lot of helpful articles that are interesting and definitely reputable. One thing I must say about searching on JSTOR: use the advanced search option! It will save you many frustrated searches from using just the basic search; trust me, I’ve been there. Many times. One negative thing about JSTOR that could be problematic is that someone who doesn’t have a subscription wouldn't be able to access it, but for those of us at UWO, this isn’t an issue. I would also look to Google Books to see if there are any titles that might be helpful and fully available online. Finally, I would check out Amazon. You could use it to find other books related to the topic of Marie Antoinette and input those titles into a search engine to see if any of them are online.
I really hope I’ve given any newcomers to the subject a good starting point on researching Marie Antoinette online. I believe that the best thing to do is to give yourself a general overview of the subject, then pick things to focus on about her life that personally interest you. In my case, it’s the fashion and social aspect of Marie Antoinette’s life that I really enjoy. Best of luck!
After reading a chapter of James Loewen’s Lies Across America this week for my Intro to Public History class, I remembered how much I enjoyed Loewen and his writing. In my American history seminar class last year, we read his book Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong, which was awesome. Yes, Loewen is very biased, but I really enjoyed this book. It was an interesting book that read like a novel, and here follows a quick synopsis for anyone interested in checking it out.
In Lies My Teacher Told Me, James Loewen assesses the American history textbooks that most American high school students use to study history. He comes to the conclusion that most of the books are missing several important parts of American history, and that some include downright lies. As a sociologist and history professor who concentrates on race relations in the United States of America, Loewen provides readers with some really interesting historical truths that are not commonly known and even gives suggestions on how textbooks can be improved. And although he does have a very strong sociological bias, his book exposes the many problems of teaching of history in America, which are pretty worrisome.
A memorable example that he gives is that of Helen Keller. Textbooks tell students that she was blind and deaf, yet overcame adversity to be an inspiration for people everywhere. This is heart-warming and true, but textbooks “forget” to mention that she was a radical socialist who praised the Russian Revolution. This isn’t so inspiring. But maybe it is, just not for a nation who would go on communist witch-hunts a few decades later. This is a prime example of what he calls "heroification", the tendency of textbooks to gloss over the undesirable aspects of national heroes and emphasis the good. It’s exactly what happens with historical sites too. People want to remember things that present themselves in a favorable light and forget the bad, and glorify their nation while they’re at it.
He gives this example and so many more to prove his point, which I think he does a good job of. So if you’re looking for an interesting book to read over the Christmas holiday, I would definitely recommend this one. It’s really funny and you’ll probably be surprised with a lot of the mistruths that exist in the study of American history.
Last Thursday night, Catherine, Becca, and myself decided to check out Brett Gaylor’s Rip! A Remix Manifesto, a film that was being shown at Museum London. Although we were a part of an extremely small audience, the film turned out to be amazing and prompted me to really think about the issues of open source and copyright that we’ve been discussing lately in digital history.
Rip! A Remix Manifesto is a film that discusses copyright, explores its origins, questions the manipulations of copyright laws, and uses everyday people to illustrate the consequences that all these laws have in all our lives. Narrated in a soothing Michael Moore-like voice, Gaylor refers to the two opposing sides as the copyright and the copyleft, and states that there’s an ongoing war of ideas, with the Internet as the battleground. He explains to viewers who controls copyright laws, and provides examples of people who are working hard to fight them, such as lawyer Lawrence Lessig.
Gaylor provides viewers with the Remixer’s Manifesto, a list that he uses to make his arguments, and in my opinion, does so with success.
1.Culture always builds on the past.
2.The past always tries to control the future.
3.Our future is becoming less free.
4.To build free societies, you must limit control of the past.
Throughout the film, Gaylor uses the example of Girl Talk, a remixer named Gregg Gillis who uses the music of thousands of different artists to create mash-up songs. The controversy with Girl Talk is that although he is breaching copyright laws, the songs he creates through his mash-ups sound so different from the originals, that listeners would be hard pressed to identify all the original songs he used. Gaylor refers to this as evolution; artists merely building on the works before them, and he even gives the example of the Rolling Stones as doing so. If Gregg Gillis were to pay for every snippet of sound borrowed from other artists in making his own album, it would amount to over $4.2 million! This is a crazy amount of money that is absolutely ridiculous to even conceivably ask someone to pay for borrowing a few seconds of audio.
In his film, Gaylor found numerous people who are, or have been, prosecuted in the US for their illegal downloading of music. The person who stood out the most to me was a single mom who was sued for downloading the equivalent of two CDs. What made her stand out was the fact that she had not settled the lawsuit, unlike the countless other people who had settled instead of going through the trial process. Even settling outside of court has huge consequences for everyday people. The legal fees alone add up, but in settling, each person prosecuted had to pay a certain amount of money per song they illegally downloaded, which in some cases ended up being tens of thousands of dollars!But the real kicker was this: they weren’t being sued by the artists themselves, they were being sued by record companies who owned the rights to the music. Furthermore, Gaylor showed viewers that all record companies, production companies, movie companies, etc. are all owned by two major companies at the top of the chain.
This is so wrong! These two companies who own every other imaginable company in the US are incredibly rich, yet they try to make examples of ordinary people for illegally downloading music, all the while putting them so deep in debt just for the sake of a few songs. Can it really be considered stealing when so many people are doing it? And wouldn’t record companies rather people steal music, grow to love a band, and then rope them in with concerts and merchandise? It ends up being way more money in the long run.
I found this film to be very relatable in terms of downloading music and the copyright problems that arise from it. I hate to hear downloading music deemed to be “illegal downloading,” just because it’s an absolutely ridiculous concept to me. What I want to say is that it shouldn’t be illegal because so many people are doing it, but I know that is an extremely flawed argument. What I will say is that artists should be grateful and flattered that so many people are downloading their music. It’s unrealistic for a music lover like myself to buy the music of every band I like; that would be tens of thousands of dollars that could be better spent on other things. This film made me realize that quite often it’s not the artists themselves who are starting lawsuits, it the companies above them. I wish these executive companies could realize that the more people listen to an artist’s music, the more loyal fans they become, thus buying overpriced concert tickets and other band-related paraphernalia. If everyone paid for every song they ever listened to, why would anyone ever listen to any new music? I think I would be afraid to spend money on a CD of a band whose music I’d never heard; I would worry that I might hate it and then never listen to it again, thus wasting my $10 or $15 (or however much it is that CDs cost these days).
All in all, Rip! A Remix Manifesto was awesome. I’d recommend it to anyone looking for a good movie to watch that will provoke some interesting discussions. He tackles so many relevant issues to people today and makes some very compelling arguments. Here’s the link to a related website that Gaylor created, it’s pretty interesting. One more really cool thing: Gaylor encourages the use and remixes of his film, something you won’t hear many artists say!
With the current trend towards the digitization of primary and secondary sources, historians and laypeople alike are left wondering how this will change their lives. For the historian, this changes everything. It’s something I hadn’t given much thought to up until now, but now that I consider the effects of the movement towards digitization, I’ve realized that there are many consequences to this growing trend.
Roy Rosenweig argued that historians are shifting from a culture of scarcity to a culture of abundance. I agree with this statement, but I do see this as being a problem in a couple of ways. It is because of the internet that we have so many more resources than ever before, and now we can preserve whatever we like. In the past decade there has been a shift in our daily lives to creating a more digital world. To illustrate this point, I would argue that almost every student at UWO owns a computer of some sort, whether it be a laptop or desktop. And for those who do not have their own computer, the school puts a large emphasis on having multiple computer labs for students to access at any time of the day. Furthermore, adolescents who go to university are given email addresses from their schools so that teachers and administrators are able to contact them quickly. All of this indicates how much we have grown to depend on our computers in our everyday lives. With such widespread access to computers, it is easy to rely so heavily on the internet. All of this leads to a build up of information on computers and on the internet, but now there are no hard copies of this correspondence. And here is where the problem lies.
Gone are the days when we would write letters to each other and send them in the mail. We even call it “snail mail”, indicating how slow and inconveniencing our generation thinks it is to send a written letter, especially compared to how fast we can send an email version of the same thing. When historians look to the past to learn about its inhabitants, one thing they do is read people’s daily letters to discover valuable information. With the growing dependency on email, historians won’t be able to read people’s correspondence with each other. This will be because of privacy laws, and the nasty habit that people have of deleting their old emails.
I think that this will become an increasingly bigger problem as the years pass. In the past, people would be mailed newsletters that someone would inevitably keep and pass down through the generations, and historians would analyze it years later to learn about the past. Today, people are emailed newsletters. No one keeps them. They are deleted right away or sent to the junk box so no one has to be bothered by them. As historians, this will create a gap in our knowledge about certain groups, or people, who have sent out an email, unless someone decides to print it out and save it.
It’s the same thing with pictures and home videos. I remember the days when I worried about running out of film, or having to take the film to a store to be developed. Now it’s me standing at a kiosk and editing the pictures I want to print. It used to be that I’d have to wait for days before I could get my pictures, and now it only takes an hour, or even seconds if I’m willing to pay a little extra. This is the world today. I think that in the future even the kiosk will become obsolete. It will be up to people to print their own pictures by using special photo printers in their homes. This is a great idea, but how many people upload the pictures to their computers and quickly forget about them? Instead of printing off pictures to show our friends and family, we will make photo compilation discs that we pop into DVD players and watch on a TV. As historians, we will have fewer family photo albums to examine, and thus fewer hard copies of pictures, which will be problematic when people get rid of their computers without thinking to extract the pictures that may be on them.
These are some dangerous consequences that could arise from the increase in digitalization. While some things may become scarcer than ever before, there will be an amazing abundance in other areas. The best example of this is seen with newspapers. Newspapers today archive all of their articles, which makes them easy to find years later when we want to dive into the past. Thanks to the digitization of old newspapers we are able to go online and search a term and see what comes up, instead of having to spend hours hunting through microfilm with sore eyes to find a news story from decades past. This will definitely help historians and make their jobs a lot easier. If everyone on the internet archived websites, newspapers, and even scholarly journals, they could be easily accessed in years to come.
This is a positive thing, but because it means that resources will be widely available to every person who owns a computer, and historians won’t have a monopoly on the interpretation of information. While this is great for amateur historians, this makes the jobs of professionally educated historians a little harder to do. If everybody is able to access everything without the help of professionals, what will be the role of the historian? Could we become obsolete?
As hard as it will be for historians to share the growing pool of information with regular people, I think that the role of a historian will ultimately always be valued. Historians will still continue to publish in reputable academic journals; something that would be hard for non-historians to do. Historians will also possess the academic training that amateurs lack, and most importantly, let’s not forget about all the things civilization has amassed over the centuries. We still need people to take care of old artifacts, and interpret old documents and letters. Museums certainly can’t run themselves; institutes like these will be here for years to come, and working in a place like this isn’t something that anyone off the street can do. It’s the same for archives; there will always be the need for professionally trained people to safeguard the past. It seems like museums, archives, and other means of preserving the past will be around for many years to come, and for most historians, public or otherwise, this is very good news. We as historians will not become obsolete, our roles will just continue to change and evolve, much like history itself continues to do.
My name is Tasha and I’m currently in the Public History MA program at Western. I recently completed my undergraduate degree at Western and received an honours specialization in history, with a minor a psychology (something that happens to come in handy quite often). Though I’m new to the world of blogging, and despite my semi-computer-illiteracy, I'm excited to share my thoughts with other people. Here they are...
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